特别企划
独立影像中的宗教：中国社会的信仰图景
“未知生，焉知死"体现了中国文化中对终极问题的回避。在主流影像中，宗教与超越性经验往往缺席，但关于苦难、死亡与救赎的追问从未消失，而是在独立影像中获得表达。本策展通过一系列涵盖基督教、萨满教、藏传佛教及民间信仰的作品，勾勒当代中国社会复杂而隐秘的信仰图景。
基督教影像构成重要线索。从《寻找林昭的灵魂》中以信仰对抗极权的见证，到《房山教堂》《传道人》对基层教会日常的记录，再到《家园》呈现跨国宗教网络，信仰既是伦理支撑，也是社会关系的纽带。在甘小二的剧情片《山清水秀》《举自尘土》《在期待之中》中，宗教深度嵌入贫困、疾病与婚姻等日常困境之中，成为个体理解与承受现实的重要方式；而纪录片《教堂电影院》则揭示了一种微妙的张力——试图记录中国福音状况的知识分子影像，与普通信徒所期待的"福音电影"之间，存在着明显错位。
与此同时，纪录片《神翳》《跳大神》《神仙代言人》展现萨满与灵媒实践在现代社会中的延续与变形，剧情片《吾神》《北方一片苍茫》以魔幻方式呈现对现实秩序的挑战。边地影像如《旷野歌声》《麦地冲的歌声》与《绛红森林》则从族群与修行角度，呈现信仰与生命经验的深度交织。短片《爷爷，我该何去何从》进一步将问题引向个体层面，呈现当代年轻人在死亡焦虑中的精神探寻。
这些作品共同表明，在一个被界定为"无神论"的社会中，信仰并未消失，而是以多种形式持续存在。独立影像为这些难以言说的精神经验提供了可见的空间，使信仰在沉默之中得以发声。
片单影片
When language is silenced, she completes her final act of resistance through body and faith.
Beyond the mainstream narrative, the director uses the camera to document another spiritual order in rural China, presenting the everyday world of a group of ordinary believers.
In the heavy and bleak reality of the countryside, when life is forced to bear a clearly marked price tag, is redemption still possible?
When death and poverty become everyday realities, faith still sustains the dignity of life through faint singing—a film about the state of the Gospel in China.
When independent films enter rural churches, an encounter, misalignment, and dialogue between the “gospel” and moving images quietly unfolds.
Through the emotional predicament of a woman in a rural church, the film examines discipline, forgiveness, and repression within a religious community.
In the gradually disappearing world of shamanism, an elderly Oroqen man still tries to preserve the last connection between humans and the spirits.
Amid preaching, conflict, weakness, and perseverance, the film faithfully documents the real-life circumstances of grassroots churches in China.
An ostracized woman from out of town tries to regain her place and dignity through “divine power.”
In the cold, long winters of Northeast China, the ancient shamanic chants still connect villagers with that “invisible world.”
Spirit mediums, village pastors, and monks together make up a mixed yet authentic world of folk beliefs in Northeast China.
Ancient hymns traverse the mountains, also reflecting the complex and wavering inner world of contemporary ethnic minority youth.
Faced with the death of a loved one, an atheist begins a spiritual journey in search of a “credible God.”
About the Curator
李静 博士
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