Director‘s Statement:
"Back to Cervantes" must be understood as a blend of stories, one is a story of existence, and the other is a story of thought within a poetic genre.
In the true story, Liang Yan, a down-and-out writer who had no talent, wrote a poem. , Seeking alienation and four colors, he hopes that he can stare and observe all this silently. Ma Yan is an active attack on himself. Ma Yan is beautiful, intellectual, well-known and bright. What Liang Yan lacks is poured into Ma Yan. That is the incarnation of hazy love. Liang Yan is aware of the life that has been immersed in the water. She no longer sticks out her head to breathe the free air. From then on Liang Yan, this He Wei represents a kind of mystery. She expresses her daily life (she The appearance and disappearance), also manifested in the context of religion.
In the second camel, there is Liang Yan, the first storyteller in the poem of the same name. He misses the past and treats the real Confucian dog. He, Ma Yan, mother, and Mark are interspersed with religion, Poetry, music, and love constitute a spiritual enclave that connects with each other.
To be boastful, its effort itself is trying to reconcile the two nerve-intensive spaces, making the edge image that merges between the virtual and the reality, providing real fantasy colors, clever eyes in the ambiguous edges and furry works.