The Observer
Release Year:
2019
Story:
Dissident artist Hu Jie has managed to make more than 30 documentaries. Films like Though I Am Gone and Searching for Lin Zhao's Soul is vital to understanding Chinese history and society. Widely recognized as the first artist to dare talk about the Great Famine, the labor camps, and the Cultural Revolution, Hu Jie is considered China's first historical documentary filmmaker.
Dissident artist Hu Jie has managed to make more than 30 documentaries. Films like Though I Am Gone and Searching for Lin Zhao's Soul is vital to understanding Chinese history and society. Widely recognized as the first artist to dare talk about the Great Famine, the labor camps, and the Cultural Revolution, Hu Jie is considered China's first historical documentary filmmaker.
Casts & Crews:
Rita Andreetti
Directors
Runtime:
76
minutes
Language:
Tags:
Hu Jie, film about filmmaker, history, Anti-Rightist Movement
Director‘s Statement:
In 2013 I happened to meet a Chinese documentary director and painter, Hu Jie. When the door of his modest apartment opened, a whole world literally opened up before my eyes.
After our first meeting, I came to know that he was under special surveillance, and I realized that I had just met my first ever Chinese dissident.
I was impressed by the stubbornness that led his mission, no matter how dangerous the opponent or how tough the fight.
I had not known Hu Jie long, but I was totally amazed by his conduct. He gave me a magnifying glass to look at China, that country I was tenaciously trying to live in and understand.
I avidly devoured all of his films: a huge archive of urgent communication, historical philology, and humanist mission. Here I found priceless truths about the Chinese Great Famine and the Cultural Revolution; I recognized a part of the Chinese past that I had previously completely ignored.
That’s it. That is when I got framed. Now, just like him, I cannot escape the urgency of recounting this story, because what he is doing is simply vital for the identity of the Chinese people.
After a few years, I realized that my support and comprehension of his fight can be very important. I’m living where Hu Jie lives and I can understand the way he is forced to compromise his mission every day; not only Hu Jie himself but many others like him. Nobody else will dare to film his story, no Chinese can take the risk. In this way, I hope my presence can be the means to preserve his freedom of speech; this is what can help him fight his battle.
Hu Jie has done so much for me: his heroism has been key not only to my understanding of China but has learned a whole new perspective in my entire life.
I hope that through this documentary, Hu Jie could be someone else’s inspiration too.
After our first meeting, I came to know that he was under special surveillance, and I realized that I had just met my first ever Chinese dissident.
I was impressed by the stubbornness that led his mission, no matter how dangerous the opponent or how tough the fight.
I had not known Hu Jie long, but I was totally amazed by his conduct. He gave me a magnifying glass to look at China, that country I was tenaciously trying to live in and understand.
I avidly devoured all of his films: a huge archive of urgent communication, historical philology, and humanist mission. Here I found priceless truths about the Chinese Great Famine and the Cultural Revolution; I recognized a part of the Chinese past that I had previously completely ignored.
That’s it. That is when I got framed. Now, just like him, I cannot escape the urgency of recounting this story, because what he is doing is simply vital for the identity of the Chinese people.
After a few years, I realized that my support and comprehension of his fight can be very important. I’m living where Hu Jie lives and I can understand the way he is forced to compromise his mission every day; not only Hu Jie himself but many others like him. Nobody else will dare to film his story, no Chinese can take the risk. In this way, I hope my presence can be the means to preserve his freedom of speech; this is what can help him fight his battle.
Hu Jie has done so much for me: his heroism has been key not only to my understanding of China but has learned a whole new perspective in my entire life.
I hope that through this documentary, Hu Jie could be someone else’s inspiration too.
Reviews
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拍摄的时候居然用自动对焦,老拉风箱。
Patrick Wong at 2023-01-12
像个胡杰的个人简介。。。
zll at 2021-11-02
胡杰老师,我最尊敬的中国纪录片导演、历史的抢救挖掘者。
晖 at 2021-09-07
1. 凝视,很多种凝视。海报上胡杰的凝视,胡杰对被摄人物的凝视,摄影机对胡杰的凝视,观众对胡杰纪录片的凝视。于是,影片始终在两种时空中穿梭,一种是胡杰纪录片的历史时空,一种是关于胡杰纪录片的当下时空。前一种是粗粝坚硬的,在交叉剪辑的对比之下,后一种时空竟然显得平滑柔软,但这仅仅是假象。导演不仅拍胡杰,也拍胡杰的家,即他当下每日身处的空间,但导演把这个空间拍得相当封闭与幽静,在看似岁月静好的表象之下隐藏着一种平静到诡异的氛围,这种离奇的错位感,来自于胡杰受到的“特别监视”。2. 感谢导演没有忽略胡杰的夫人,她的故事同样值得讲述。
xinyu at 2021-02-28
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Casts & Crews
Rita Andreetti
Director
Story:
Dissident artist Hu Jie has managed to make more than 30 documentaries. Films like Though I Am Gone and Searching for Lin Zhao's Soul is vital to understanding Chinese history and society. Widely recognized as the first artist to dare talk about the Great Famine, the labor camps, and the Cultural Revolution, Hu Jie is considered China's first historical documentary filmmaker.